Concept: To investigate the visual and physical effects of using the “mirror” setting in Tilt Brush. Methodology:I investigated standing with my body on the intersection of the mirror. As I moved my right arm with the paint controller and did the same thing with my other hand, it appears that…
Concept: The premise for this rehearsal was primarily to choreograph a sequence that specifically addressed the use of sound in Google’s Tilt Brush to be shown during Daniel Robert’s Graduate Composition class (above). Tilt World rehearsals (Jan 2020 – May 2020) are geared toward building an improvisational score, group…
Tilt World rehearsals (Jan 2020 – May 2020) are geared toward building a set improvisational score or group of scores to be used once more dancers are brought into the fold.
In the past two semesters I’ve had the chance to both witness and work with Emily Craver, a fellow 2nd year MFA. We were experimenting with chat bot conversations, gif loops, and using code as a way of choreographing. The first semester turned into a dance representation of computing concepts.…
To devise a one-minute solo to be dropped into the collectively devised theater project titled “Once Upon The Oval” to be premiered in March 2020 at Drake Performing Arts Center.
To work with the Media Design students with the tools presented to expand our The Ghosts of Mirror Lake scene using various forms of projection, live-feed, or other technology available with the goal of enhancing the experience thematically, dramatically, and theatrically.
“VR is perfect for things you couldn’t do in the real world, but not for things you wouldn’t do in the real world. Flying to the moon like Superman is okay. Participating in virtual mass murder—especially if it is designed to be realistic—is not. This is a big deal. Everything…
An exploration bringing concepts of oppression and liberation into the body through improvisations surrounding concepts from Paulo Friere’s Pedagogy of the Oppressed. The five collaborators, Alessandra Christmas (dramaturg), Emily Craver (dancer), Davianna Green (dancer), Laura Neese (dancer) and I worked in embodied and verbal dialogue to represent systems of oppression…
My final “Tilt Brush” iteration this semester was an installation/performance during ACCAD’s open house on April 5th in the Motion Lab. The audience/participants entered a circle of projection screens where cardboard boxes, feather boas, pool noodles, and random small balls littered the space. Tasks were written on cards around the…