Objective: To create a small model of what could be a large scale version of a installation/performance where the performer moves from one side of the box to another changing and augmenting sounds. I had the opportunity to research the installation more in my first patch, but I aborted mission…
Concept: To build a choreographic story in Motionbuilder’s story mode from a seed of an idea I began when an elf character, Jolleen, created a glowing ball in her hands. Methodology: I downloaded the models (Jolleen and Doozy) from Mixamo, 0’ed out portions of the skeletons, characterized, and assigned control…
Concept: Create a solo taking into consideration costume, sound, and light for Graduate Composition with Daniel Roberts. Two prompts were given: 1) to consider the perspective of the video or videographer when designing pathways and 2) use small and large objects to place within the performance space while using the…
Concept: To investigate the visual and physical effects of using the “mirror” setting in Tilt Brush. Methodology:I investigated standing with my body on the intersection of the mirror. As I moved my right arm with the paint controller and did the same thing with my other hand, it appears that…
Concept: To investigate an outside perspective on rehearsals and work with dancers Jackquie Sochacki and Michelle Sipes. Methodology: In the first rehearsal, Jacquie wore the unconnected headset as if blindfolded to feel the weight of it and allow Michelle to guide her more deeply. The second rehearsal, Jacquie, never having…
Concept: This assignment for Motion Capture Production and Experimentation taught by Vita Berezina-Blackburn required us to create a character or sequence of events that was based from a prop we captured in ACCAD’s motion capture lab then edited in Motionbuilder using constraints. Methodology: Our group decided to capture a ball…
Concept: The premise for this rehearsal was primarily to choreograph a sequence that specifically addressed the use of sound in Google’s Tilt Brush to be shown during Daniel Robert’s Graduate Composition class (above). Tilt World rehearsals (Jan 2020 – May 2020) are geared toward building an improvisational score, group…
To devise a one-minute solo to be dropped into the collectively devised theater project titled “Once Upon The Oval” to be premiered in March 2020 at Drake Performing Arts Center.
In this paper, I explore the role of technology during the interwar period through Loïe Fuller’s use of what Julie Townsend calls “theatrical prosthesis,” wooden extensions to lengthen the arms, fabric, and electric light (Townsend 1991, 73). Addressing the spectatorial aesthetic result of the normalization of prosthetic limbs during the…