Objective:
Having explored the virtual paint and embodiment in Google’s Tilt Brush, I wanted to further that exploration with the physics of the natural world in a dance film.

Whether representing paint or blood, the kinetic movement that creates physical traces represent the theories in the flesh and the validity of emotions and history in our physicality and form highlighted by Moraga and Lorde.

Inspiring Bibliography

Lorde, Audre. 1977.  “Transformation of Silence into Language and Action.” In Sister Outsider, 40-44. The Crossing Press, CA.

Lorde, Audre. 1997. “The Uses of Anger.”  In Women’s Studies Quarterly 25. No. ½, 278-285. http://www.jstor.org/stable/40005441.

Lorde, Audre. 1984. “Uses of the Erotic: The Erotic as Power.” In Sister Outsider, 87-91. The Crossing Press, CA. 

Moraga, Cherríe and Gloria E. Anzaldúa. 1981. This Bridge Called My Back. Kitchen Table: Women of Color Press, NY.